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Prentice Hall

Art

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Photography, 8/E
Barbara LondonMultimedia Learning
John Upton
Jim StoneUniversity of New Mexico
Ken Kobré
KobreSan Francisco State University
Betsy Brill
Brill

ISBN-10: 0131896091
ISBN-13:  9780131896093

Publisher:  Prentice Hall
Copyright:  2005
Format:  Paper; 432 pp
Published:  04/09/2004
New edition available
  This item has been replaced by Photography, 9/E.



For introductory and advanced courses in Photography.

This best-selling introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness. Comprehensive in scope, this book—features superb instructional illustrations and examples in its clear presentation of both black and white and color photography. London offers extensive coverage of digital imaging and the latest technological developments, such as Web page design and formatting photos on CD-ROMs.

  • Unique, simple-to-understand explanatory diagrams and demonstration photos.
    • Helps students overcome common problems in many areas, such as film exposure, black and white darkroom technique, and using an electronic flash.

  • Images by contemporary photographers—Adds to the great and classic photographs for which this work is known.
    • Encourages students to understand their work in the context of the historical and contemporary art scene.

  • Emphasis on technique and visual awareness.
    • Teaches students how to control the photographic process, and shows them the choices that other photographers have made.

  • Detailed coverage of visual elements—e.g., composition, tonality, sharpness.
    • Explains how students can make better pictures themselves, and view the photographs of others with a more sophisticated eye.

  • Coverage of general photographic techniques.
    • Allows students to explore the camera, lens, film, exposure, developing and printing black and white film, and mounting.

  • Easy-to-use format—Features two facing pages completing a single idea, skill, or technique.
    • Makes this text accessible to beginning photography students, and a quick reference for those with more experience.

  • Digital imaging icons.
    • Draws students attention to related information about digital imaging, or to information in the digital imaging chapters.

  • Step-by-step instructions include a “Lights Out” feature.
    • Helps students better identify darkroom techniques.

  • A fully illustrated troubleshooting appendix.
    • Organizes information about technical problems, their causes, and ways to prevent them.

  • “Photographer at Work” interviews.
    • Familiarizes students with photographers who have developed successful careers.

  • An entire chapter devoted to the history of photography.
    • Enables students to place today's photography—and their own—in a historical context.

  • State of the Art Companion Website—Includes simulations of photo and lab processes.
    • Gives students a visual understanding of text material that can be reviewed at any time.

  • Updated digital imaging chapters.
  • Photographers at Work boxes.
  • Updated coverage of color photography.
  • High quality sample images.



1. GETTING STARTED.

Camera and Film.

Loading Film into the Camera.

Focusing and Setting the Exposure.

Taking Your Picture.

What Will You Photograph?



2. CAMERA.

Basic Camera Controls.

The Shutter.

The Aperture.

Using Shutter and Aperture Together.

Choosing a Camera.

Special-Purpose Cameras.

Keeping the Camera Steady.

Photographer at Work: Photojournalist James Nachtwey.



3. LENS.

From Pinhole to Lens.

Lens Focal Length.

Special-Purpose Lenses.

Focusing Your Lens.

Focus and Depth of Field.

Perspective.

How to Make a Close-up Photograph.

Guidelines for Buying a Lens.

Getting the Most from Your Camera and Lens.



4. LIGHT AND FILM.

Selecting and Using Film.

How Film Responds to Light.

Using Filters.

Photographer at Work: Another Angle on Sports—Walter Iooss.



5. EXPOSURE.

Exposure Basics.

How to Meter.

Using Exposure.



6. DEVELOPING THE NEGATIVE.

How to Process Black-and-White Roll Film.

Processing Black-and-White Roll Film Step by Step.

How Film Processing Affects Your Picture.

Exposure and Development: Under, Normal, Over.

Push Processing.



7. PRINTING THE POSITIVE.

Black-and-White Printing.

Making a Black-and-White Print Step by Step.

Evaluating Density and Contrast in a Print.

Controlling Contrast.

Dodging and Burning.

Cropping.

Archival Processing for Maximum Permanence.

Toning for Color and Other Effects.



8. FINISHING AND MOUNTING.

Spotting to Remove Minor Flaws.

Mounting a Print.



9. COLOR.

Color: Additive or Subtractive.

Color Photographs: Three Image Layers.

Choosing a Color Film.

Exposure Latitude.

Color Balance.

Developing Color Film.

Making a Color Print from a Negative.

Making a Color Print from a Transparency.

Photographer at Work: Advertising Photographer Chris Clemens.



10. DIGITAL CAMERA.

A Computer with a Lens.

Using a Digital Camera.

Choosing a Digital Camera.



11. DIGITAL DARKROOM.

Digital Imaging: An Overview.

Scanning a Photograph.

The Digital Photograph.

Working Memory, Storage, and Transmission.

Your Work Area and Tools.

Adjusting the Image Overall.

Compositing.

Other Adjustments.

Printing and Display.

Ethics and Digital Imaging.

Using Digital Imaging.

Photographer at Work: Merging Photography and Illustration—William Duke.



12. LIGHTING.

Direction of Light.

Degree of Diffusion: From Hard to Soft Light.

Available Light-Outdoors.

Available Light-Indoors.

Artificial Light.

The Main Light: The Dominant Source.

The Fill Light: To Lighten Shadows.

Lighting with Flash.

Simple Portrait Lighting.

Multiple-Light Portrait Setups.

Lighting Textured Objects.

Lighting Reflective Objects.

Lighting Translucent Objects.

Using Lighting.

Photographer at Work: Dance Photographer Lois Greenfield.



13. SPECIAL TECHNIQUES.

Copying Techniques.

Pinhole Photography.

Special Printing Techniques.

Alternative Processes.



14. VIEW CAMERA.

Inside a View Camera.

View Camera Movements.

Using a View Camera to Control the Image.

Equipment You'll Need.

What to Do First—and Next.

Loading and Processing Sheet Film.



15. ZONE SYSTEM.

The Zone System Scales.

Using the Zone Scale While Metering.

How Development Controls Contrast.

Putting It All Together.

Photographer at Work: Using the Zone System—John Sexton.



16. SEEING PHOTOGRAPHS.

Basic Choices.

Basic Design.

More Choices.

Looking at—and Talking About—Photographs.

Showing Your Work to Editors and Others.



17. HISTORY OF PHOTOGRAPHY.

The Invention of Photography.

Daguerreotype: “Designs on Silver Bright.”

Calotype.

Collodion Wet-Plate: Sharp and Reproducible.

Gelatin Emulsion/Roll-Film Base: Photography for Everyone.

Color Photography.

Early Portraits.

Early Travel Photography.

Early Images of War.

Time and Motion in Early Photographs.

The Photograph as Document.

Photography and Social Change.

Photojournalism.

Photography as Art in the 19th Century.

Pictorial Photography and the Photo-Secession.

The Direct Image in Art.

The Quest for New Vision.

Photography as Art in the 1950s and Beyond.

A Gallery of Contemporary Photography.



Appendices.

Troubleshooting: Finding the Problem/Finding the Solution.

Glossary.

Bibliography.

Credits.

Index.

Light Meter.

  • 9780131752016
    Photography, 9/E
    London, Stone & Upton
    ©2008 | Prentice Hall | Paper; 432 pp | Instock
    ISBN-10: 0131752014 | ISBN-13: 9780131752016
    Brief Description | Buy from myPearsonStore

Why is this the #1 photography text year after year? Because no other source does so much so well.

The eighth edition of Photography teaches the skills you need to use the medium confidently and effectively, emphasizing both technique and visual awareness. It features: ,/P>

    Complete coverage. What you need to know about black-and-white and color photography, plus special techniques such as lighting, close-up photography, and more. Digital imaging. Two updated chapters on digital imaging reflect cutting-edge technology. An emphasis on seeing photographically. Includes not only technical information, but also insight about flaw to make your pictures better. The text gives special attention to the visual choices photographers make about elements such as sharpness, tonality, and cropping. An easy-to-follow format. Each topic is discussed on a set of facing pages using photos, drawings, text, and captions.
New to this edition:
  • Revised and updated digital-imaging chapters.
  • Two new Photographer at Work profiles expand this popular coverage of contemporary photography.
  • Updated coverage of color photography reflects changes in this dynamic field arid brings the text into the 21st century.
  • Striking new fine-art images representing a range of photographic styles.
Unique FREE online study resoiurce...The Companion Website
www.prenhall.com/london
For Students
  • Interactive simulations and demonstrations that help you understand photo and lab processes.
  • Chapter objectives that help you organize the key concepts for each chapter.
  • Quizzes with multiple-choice, true/false, and fill-in questions that give you instant feedback and scores. A built-in e-mail routing option lets you forward quizzes to your instructor.
  • Useful web links for each chapter as well as an online glossary.
For Instructors
  • The Art Central section includes teaching resources from the Instructor's Manual with lecture hints, class activities, and mare, coordinated to each chapter. This module is accessible through a password provided by your local Prentice Hall representative.
  • The Syllabus Manager is an easy way to create and post your syllabus online.

Pearson Higher Education offers special pricing when you choose to package your text with other student resources. If you're interested in creating a cost-saving package for your students contact your Pearson Higher Education representative.