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Photography: The Essential Way
Barbara LondonMultimedia Learning
Jim StoneUniversity of New Mexico
John Upton

ISBN-10: 0136142761
ISBN-13:  9780136142768

Publisher:  Prentice Hall
Copyright:  2008
Format:  Paper; 368 pp
Published:  08/31/2007
Status: Instock



Photography: The Essential Way is a departure from tradition that moves boldly into the digital age with you.  This new book embraces the new photography that is captured, shaped, transmitted, printed, and saved electronically, while retaining coverage of film and its exposure and development.

 

Based on the #1 selling introductory photography textbook, Photography, by London, Stone, and Upton, this new title offers photography instructors another option to choose from in selecting a text.  Photography: The Essential Way offers:

·  comprehensive coverage of essential topics such as digital and film cameras, lenses, exposure, sensors and film, and developing black-and-white film.

·  comprehensive coverage of the latest in digital photography, including four chapters dedicated to digital technique, and digital topics that  are integrated throughout the book. 

·  a shorter length than Photography.  This book excludes coverage of darkroom printing, the zone system, and has more concise coverage of silver print display. 

 

Photography:  The Essential Way

By London, Stone, and Upton

 

1 getting started

 

Camera and Film         

Getting your camera ready       

Focusing and Setting the Exposure       

Taking Your Picture     

What Will You Photograph?    

            Some Basic Guidelines

            To Get You Started     

            Photographing People  

            Photographing Places   

 

2 camera

 

Basic Camera Controls

The Shutter      

            The Shutter and Light   

            The Shutter and Motion           

            Conveying Motion in a Still Photograph

The Aperture   

            The Aperture and Light

            The Aperture and Depth of Field          

Using Shutter and Aperture Together   

Choosing a Camera     

Keeping the Camera Steady    

Photographer at Work:

            Photojournalist James Nachtwey          

 

3 lens

 

From Pinhole to Lens   

Lens Focal Length       

            Normal Focal Length   

            Long Focal Length       

            Short Focal Length      

            Zoom Lenses   

Special-Purpose Lenses           

Focusing Your Lens     

            Manual Focus  

            Automatic Focus         

Focus and Depth of Field         

            Controlling Depth of Field        

            Zone Focusing             

            Focusing on the Hyperfocal Distance    

Perspective      

Guidelines for Buying a Lens    

Getting the Most from Your Camera

            and Lens         

Photographer at Work: Mary Ellen Mark         

 

4 exposure, sensors, and film

 

Exposure Basics          

            Equivalent Exposures   

            How Exposure Meters Work   

            In-Camera Exposure Meters    

            Automatic Exposure    

How to Meter 

            An Overall Reading of a Scene

                        with Average Tones     

            Using Different Types of Meters           

            Metering High-Contrast Scenes           

            Exposing for Specific Tones

                        and Bracketing

            Hard-to-Meter Scenes            

Responding to Light

            Silver and Pixels          

Selecting and Using Film          

Film and Sensor Speed

            Speed and ISO            92

            Grain and Noise          

Extending Beyond Visible Light

            Infrared Photographs   

Special Purpose Films

            Instant and Chromogenic Films

Polarizing Filters 

Exposure Latitude

            How Much Can Exposures Vary?        

Using Exposure           

Photographer at Work:

            Advertising Photographer

                        Clint Clemens

 

5 color

 

Color: Additive and Subtractive           

            Color Photographs: Three Image Layers          

            Color Characteristics   

Color Balance

            Color Changes Throughout the Day     

            Color Casts     

            Color Temperature      

Photographer at Work:

            Another Angle on Sports–

            Walter Iooss    

 

6 developing the negative

 

How to Process Black-and-White

            Roll Film          

            Equipment and Supplies You’ll Need   

            Processing Chemicals and

                        How to Handle Them

            Chemical Safety           

Processing Black-and-White Roll Film

            Step by Step   

 How Film Processing

            Affects Your Picture    

Exposure and Development: Under,

            Normal, Over  

 

7 setting up a digital darkroom        

Hardware and Software           

            An Overview   

            Capturing Detail:

                        Resolution and Bit Depth         

Photographs are Files  

            File Formats    

Importing Your Images

            Downloading and Scanning      

            Making a Scan

Color Management      

Histograms      

            Anatomy of a Digital Image      

            Three Histograms for Color     

Setting Up a Workflow

Photographer at Work:

            Digital Storyteller–Pedro Meyer

 

8 Image Editing

 

Digital Post-processing and Editing:

Getting Started            

            Choosing Software      

            Your Work Area and Tools     

            Setting Up an Image to Edit     

Channels

            Color or Black and White?      

Adjusting Color and Value       

            Different Approaches   

            Using Levels    

            Curves

Adjusting All or Part of an Image         

Selection Tools

            Using Layers   

Other Editing Commands         

            High Dynamic Range   

            Filters for Special Effects         

            Retouching and Sharpening      

Compositing    

An Image-Editing Workflow    

 

9 Printing and Display

 

Printers and Printing     

            Printer Choices

            Drivers and RIPs         

            Profiles and Soft Proofing        

            Papers and Inks           

Printing Options           

            Panoramic Photographs           

            Printing in Black and White      

Displaying Your Work 

            The Internet–Gallery and Resource    

            Ethics: How Far Can You Go?

Presenting a Print         

            Framing Options          

Mounting a Print          

            Equipment and Supplies You’ll Need   

            Dry Mounting  

            Cutting an Overmat      

 

10 Organizing and Storing your Work

 

Image Storage 

            Size Matters    

Metadata: Data About Your Files        

Software to Keep You Organized                    

Archiving Digital Images           

Archiving Film and Prints         

 

11 Lighting

 

Direction of Light         

Degree of Diffusion:

            From Hard to Soft Light          

Available Light–Outdoors      

Available Light–Indoors

Artificial Light  

            Lights and Other Lighting Equipment    

            Qualities of Artificial Light        

The Main Light: The Dominant Source

The Fill Light: To Lighten Shadows      

Lighting with Flash       

            Flash Equipment          

            Basic Flash Techniques

            Manual Flash Exposures          

            Automatic Flash Exposures      

            Fill Flash: To Lighten Shadows 

            Controlling Background Brightness       

Simple Portrait Lighting

Multiple-Light Portrait Setups

Lighting Textured Objects        

Lighting Reflective Objects       

Lighting Translucent Objects    

Using Lighting  

Photographer at Work: Dance

            Photographer Lois Greenfield...

 

 

12 Extending the Image

 

Opener

Using Scale

            Pictures Very Large and Very Small 

Multiple Images

            More is Better

Fabricated to be Photographed

The Photograph as Object 

Using Projections

Making a Book

Alternative Processes

            Cyanotype Printing      

            Platinum and Palladium Printing

            Gum Bichromate Printing

            Image Transfer

            A Photogram: A Cameraless Picture    

            Cross Processing         

            A Sabbatier Image: Part Positive, Part Negative

Pinhole Photography    

How to Make a Close-Up Photograph

            Close-Up Exposures   

Copying Techniques    

 

13 view camera

 

Inside a View Camera             

View Camera Movements

            Rise and Fall    

            Shift    

            Tilt      

            Swing  

Using a View Camera to Control the Image      

            Controlling the Plane of Focus  

            Controlling Perspective

Equipment You'll Need

What to Do First–and Next   

Loading and Processing Sheet Film      

 

14 seeing photographs 

 

Basic Choices  

            Content           

            Framing the Subject     

            Backgrounds   

Basic Design    

            Spot/Line        

            Shape/Pattern  

            Emphasis/Balance        

More Choices             

            Using Contrasts of Sharpness   

            Using Contrasts of Light and Dark       

            Placing the Subject within the Frame    

            Perspective and Point of View 

Looking at–and Talking About–

            Photographs    

Showing Your Work to Editors and

            Others 

 

 

15 history of photography

 

The Invention of Photography  

Daguerreotype:

            “Designs on Silver Bright”        

Calotype: Pictures on Paper

Collodion Wet-Plate:

            Sharp and Reproducible          

Gelatin Emulsion/Roll-Film Base:

            Photography for Everyone

Color Photography

Early Portraits  

Early Travel Photography         

Early Images of War    

Time and Motion in

            Early Photographs       

The Photograph as Document              

Photography and Social Change           

Photojournalism

Photography as Art in the

            19th Century   

Pictorial Photography

            and the Photo-Secession          

The Direct Image in Art           

The Quest for a New Vision    

Photography as Art

            in the 1950s and 1960s

Photography as Art

            in the 1970s and 1980s

A Gallery of Contemporary Photography

 

Troubleshooting

 

Pearson Higher Education offers special pricing when you choose to package your text with other student resources. If you're interested in creating a cost-saving package for your students, browse our available packages below, or contact your Pearson Higher Education representative to create your own package.

Package ISBN-10: 0205666639 | ISBN-13: 9780205666638
©2008 | Instock
Suggested retail price: $78.40  Buy from myPearsonStore

This package contains:

London, Stone & Upton | ©2008 | Prentice Hall | Paper; 368 pp
Pearson | ©2008 | Prentice Hall | Access Code Card


Package ISBN-10: 0205716512 | ISBN-13: 9780205716517
©2009 | Not Yet Published
Suggested retail price: $132.64  

This package contains:

London, Stone & Upton | ©2008 | Prentice Hall | Paper; 368 pp
Evening | ©2009 | Prentice Hall | Paper; 624 pp
Adobe Creative Team | ©2009 | Prentice Hall | Paper Bound w/CD-ROM; 384 pp