Compose, Design, Advocate
ISBN-10: 0321117786
ISBN-13: 9780321117786
Publisher: Longman
Copyright: 2007
Format: Paper; 564 pp
Published: 02/17/2006
Status: Instock
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Description
This innovative new genre-based writing guide for freshmen composition courses, teaches students how to use both words and images, in writing and in speaking.
To be truly successful communicators in today’s world, students need to be fluent in multiple modes of communication: written, visual, and oral. Providing instruction in, and samples from, diverse genres of writing, Compose, Design, Advocate also provides an advocacy focus that encourages students to use written, visual, and oral communication to effect change in their lives and communities. With compelling reading selections, in-depth “Thinking through Production” writing assignments, and excellent coverage of research, Compose, Design, Advocate is a highly teachable text that will challenge and engage students.
Features
Table of Contents
Introduction
I. DESIGNING COMPOSITIONS RHETORICALLY
1. A Rhetorical Process for Designing Compositions
Thinking through Production Assignment
2. Laying Out a Design Plan
Developing a Statement of Purpose
Sense of purpose
Audience
Context
Statement of purpose
Producing a Composition
Strategies
Medium
Arrangement
Production
Testing
A Sample Design Plan
Thinking through Production Assignment
3. Developing a More Complex Statement of Purpose
Thinking through Production Assignment
Working with More Complex Communications
Developing a More Complex and Complete Statement of Purpose
Sense of purpose
Audience
Context
Statement of purpose
4. Producing a More Complex Composition
Producing More Complex Compositions
Strategies
Medium
Arrangement
Production
Testing
Design Plans
II. PRODUCING COMPOSITIONS
Contexts for Production
5. About Advocacy and Argument
Becoming an Advocate
Who Changes and Who Benefits When You Advocate?
The Time that Advocacy Requires
Styles of Advocacy
The AVODAH website: “After Seattle: Anarchists Get Organized”
Being an Advocate, Being a Citizen, and Being a Critic
“The Partly Cloudy Patriot” Sarah Vowell
Thinking through Production Assignment
6. Researching for Advocacy and Argument
Research, Argument and Advocacy
What research is
The Ethics of being a researcher
Designing Rhetorical Research
Developing an initial question
Using the questions to determine what you need to research
Carrying out your research
Using your research to develop and test a design plan
Producing and testing your communication
Thinking through Production Assignment
Strategies for Production
What Differentiates These Modes of Communication
Thinking through Production Assignment
7. About Written Modes of Communication
The Pleasures of Writing
Finding your own
How writing grows out of and in response to and sustains other writing
The Declaration of Independence
The Contexts, Audiences, and Purposes of Writing
Writing contexts
Writing Audiences
Writing purposes
Ethos, Logos, and Pathos as Writing Strategies
Ethos in Writing
Factors contributing to ethos
Building ethos in introductions to written compositions
Logos in Writing
Logos as overall structure
Smaller arguments to use for building larger arguments
Logos in helping others follow your arguments
Logos as word play
Pathos in Writing
The Written Strategies of Revising, Editing, and Proofreading
Testing Writing
Responding to the writing of others
Thinking through Production Assignment
8. About Oral Modes of Communication
The Pleasures of Speaking
On Listening
Preparing a Talk: Context, Audience, Purpose
The contexts in which you speak
Considering audiences as you plan
Approaching purposes as you plan
“Inviting Transformations” Sonja K. Foss and Karen A. Foss
Speaking Ethos, Logos, and Pathos
Ethos as speaking strategy
Pathos as speaking strategy
Logos as speaking strategy
“Constructing Connections” Sonja K. Foss and Karen A. Foss
A Checklist for Preparing a Design Plan for a Talk
Preparing (Yourself) to Talk
The anxieties of public speaking
Visualization: preparing to deliver a talk
Delivery: wording, gestures, smells
Delivery: using support materials
Interviewing
Rules for effective interviews
Testing and Evaluating Oral Presentations
Ethical Contexts of Speaking — and Listening
Thinking through Production Assignment
9. About Visual Modes of Communication
The Pleasures and Complexities of Visual Communication
The Contexts, Purposes, and Audiences of Visual Communication
Visible contexts
Visible audiences
Visible purposes
Seeing Ethos, Pathos, and Logos
Seeing Ethos
Photographing ethos
A Professional ethos
Seeing Pathos
Pathos in photographs
The rhetorical colors of pathos
The pathos of type
Seeing Logos in the Arrangement of Elements
How many elements to include?
Creating a visual hierarchy
Creating a visual hierarchy using contrast and sameness
Creating visual unity using repetition
The Logos of Type Arrangement
The Logos of Using Words and Pictures Together
Strategies for Analyzing and Producing Visual Arguments
Visual analogies
Visual accumulation
Visual symbols
Thinking through Production Assignment
III. ANALYZING THE ARGUMENTS OF OTHERS
Why are we analyzing and researching the arguments of others?
About the Examples
About Rhetorical Analysis
Writing Up Rhetorical Analysis
A Sample Rhetorical Analysis: “Attack of the Monster Movie Poster”
Thinking through Production Assignment
10. Analyzing Posters
How We Analyze Posters
Movie Posters from the United States
Wartime Posters from the United States and Elsewhere
Movie Posters from Other Countries
Thinking through Production Assignment
11. Analyzing Documentary Photography
How We Analyze Documentary Photography
Sithwalk, Gueorgui Pinkhassov (photograph collection)
The Black Triangle, Josef Koudelka (photograph collection)
Thinking through Production Assignment
12. Analyzing Instruction Sets
How We Analyze Instruction Sets
Japanese Onomatopoetic Expressions
Nomadic Furniture
Arabic Calligraphy
Navy Semaphore Flag Code (rotating wheel)
A Fire Extinguisher (product box)
If…then…(pamphlet)
If There is An Explosion…(Web page)
Thinking through Production Assignment
13. Analyzing Editorial and Opinion Pieces
How We Analyze Editorial and Opinion Pieces
Native Education Boosted by Presence of Elders Robert Baptiste
Who Would Call Warrior “Squaw”? E.J. Montini
The Case for Affirmative Action Charles J. Ogletree, Jr.
The Case Against Affirmative Action David Sacks and Peter Thiel
Walking the Line Jack Turner
Thinking through Production Assignment
14. Analyzing Essays
How We Analyze Essays
How to Look at the Periodic Table James Elkins
Higher Education Gary Smith
A Marketable Wonder: Spelunking the American Imagination Julian Dibble
The Plaintiff Speaks Clarissa Sligh
Red Shoes Susan Griffin
Thinking through Production Assignment
15. Analyzing Comics
How We Analyze Comics
Leviathan Peter Blegvad
Common Scents Lynda Barry
The Veil Marjane Satrapi
Thinking through Production Assignment
16. Analyzing Interviews (available online at www.ablongman.com/wysocki)
How We Analyze Interviews
Jon Heder: Napoleon Dynamite
Two Interviews with Science Fiction Writer Neal Stephenson
Neal Stephenson’s Past, Present, and Future
Neal Stephenson Responds with Wit and Humor
Four Perspectives on Copying Digital Media
Steve Jobs: The Rolling Stone Interview
RIAA Victim Talks to p2pnet
How Copyright Law Changed Hip Hop: An Interview with Public Enemy’s Chuck D and Hank Shocklee
Lawrence Lessig: The “Dinosaurs” Are Taking Over
Thinking through Production Assignment
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